|
Barbara Rosenthal (born 1948, The Bronx, New York) is an American avant-garde artist, writer and performer.〔Kray, Pamela. “Provocative Barbara Rosenthal Existentially Grows Up” Book Arts Newsletter No. 84 Sept.-Oct 2013, pgs 40-42. ISSN 1754-9086 , retrieved Nov. 9, 2013 http://www.bookarts.uwe.ac.uk/newspdfs/84.pdf〕 Her existential themes have contributed to contemporary art and philosophy.〔Parker, Ara Rose. "BOOKS: Clues to Myself by Barbara Rosenthal", "Photo-Communique magazine, Summer 1982, retrieved March 6, 2009〕 Her pseudonyms include "Homo Futurus," taken from the title of one of her books, and ''"Cassandra-on-the-Hudson"'',〔(【引用サイトリンク】title=Major modern & contemporary visual artists )〕 which alludes to her studio and residence since 1998 on the Hudson River in Greenwich Village, NYC, and “the dangerous world she envisions”.〔Le, Ngan. “The Secret of Life in Art: Barbara Rosenthal’s Surreality in Berlin”, Berlin Art Link, March 28, 2013, retrieved Nov. 9, 2013 http://www.berlinartlink.com/2013/03/28/the-secret-of-life-in-art-barbara-rosenthal/〕 Rosenthal is idiosyncratic and prolific.〔Rijs, Cassandra. “Barbara Rosenthal: Hoarder of LIfe to Yield Art”, Interface, Sept. 2013, retrieved Nov. 9, 2013 http://www.a-n.co.uk/interface/reviews/single/3824777〕 She is known for often revisiting past works, recombining old elements with new,〔name="CarswellClare"〕 and often appears in her work in some way. These may include x-rays, brain scans and clothing.〔(“Photography Now” ) retrieved September 22, 2009.〕 Sometimes she utilizes physical or textual elements from her journals. As a creative artist within the fields of surrealism and existentialism, Rosenthal brings existential content, via the subconscious, to conceptual art and is known for her intense introspection. and by using herself "as a guinea pig",〔 explores what it means to be human.〔〔 Her personal vision evolves with advancing technology.〔 As an artist, Rosenthal is known as an Old Master of New Media〔〔〔McLaren, Andrew. “No Brow Art Show Speaks With Barbara Rosenthal”, 4ZZZ Radio 102.FM, Brisbane, Australia, Oct 13, 2013, retrieved Nov. 9, 2013 http://www.4zzzfm.org.au/podcasts/culture/no-brow-art-show-sp;eaks-barbara-rosenthall-part-1 http://www.4zzzfm.org.au/podcasts/culture/no-brow-art-show-sp;eaks-barbara-rosenthall-part-2 http://www.4zzzfm.org.au/podcasts/culture/no-brow-art-show-sp;eaks-barbara-rosenthall-part-3 〕 because of her long history in media including photography,〔(“Absolute Arts” ) Retrieved September 22, 2009.〕 video,〔Russell, John. (“Views of Jewishness In Museum Video Show” ) “New York Times” July 29, 1988, retrieved September 22, 2009〕 performance,〔Fletcher, Milton. (“Taboo or Not Taboo”, “NY Arts magazine, March-April, 2006 )〕 projection〔Yerkov, Sergei. (“”Existential Cartoons”, NY Arts magazine, Nov-Dec, 2007, retrieved September 22, 2009 )〕 installation,〔(“Experimental TV Center Artists Biographies” ) retrieved September 22, 2009〕 interactive,〔( “Artpool Art Research Center: Barbara Rosenthal Interactive Novelties” ) retrieved September 22, 2009〕 electronic and digital media,〔Eisenlohr, Klaus W. (“BARBARA ROSENTHAL: EXISTENTIAL VIDEO,” “Netzpannung Catalog" ), retrieved September 22, 2009〕 text,〔Carswell, Clare. (“Q&A Interview With Barbara Rosenthal” ), “Wood Coin” online magazine, Fall 2008, retrieved September 22, 2009〕 collage,〔Peyton, Katie, “Barbara Rosenthal: Conceptual Composite Collages”, Peanut Underground Exhibitions, August 17, 2013, retrieved Nov. 9, 2013 http://www.peanutunderground.com/exhibitions/barbara-rosenthal.html〕 prints,〔Yerkov, Sergei (“Existential Cartoons” ) “NY Arts” magazine, November–December, 2007, retrieved September 22, 2009〕 artists' books〔(“Museum of Modern Art Dadabase” ) “New York Art Resources” retrieved September 22, 2009〕 and objects.〔Kostelanetz, Richard. (“Barbara Rosenthal” “Dictionary of the Avant-Gardes” ISBN 978-0-02-865379-2 retrieved September 22, 2009 )〕 Almost all are produced in editions.〔Rosenthal, Barbara (“Catalogue Raisonne” eMediaLoft.org October, 2006, retrieved September 22, 2009 )〕 Most combine camera, text and performative aspects.〔Carswell, Clare (“New Life Berlin Festival: Barbara Rosenthal” ) “Interface” June 2008, retrieved September 22, 2009〕 Elements of Rosenthal's body of work, "Surreal Photography" are often present. == Education and early career == At age eleven, Rosenthal was a weekly columnist for her town newspaper, ''The Franklin Square Bulletin''.〔Rosenthal, Barbara. ''"A Crack in the Sidewalk,"'' "The Franklin Square Bulletin", 1959-61〕 Rosenthal attended the Brooklyn Museum Art School, studying figure drawing and painting taught by Isaac Soyer, in 1962-64; the Art Students' League, for figure drawing and painting, NYC, in 1964-66; New York University, for Art History, NYC, in 1966. She attended Carnegie-Mellon University and while there was editor of the literary-art magazine, ''Patterns'', as a sophomore and once again as a senior. She spent her junior year at Temple University/Tyler School of Art in Rome, Italy, studying art and art history, in 1968-69; and received her BFA in painting from Carnegie-Mellon in 1970. She attended The City University of New York/City College, for education and psychology in 1970-71; Seattle Pacific College, for media and education of the gifted in 1972-73; and received her MFA in painting at The City University of New York/Queens College in 1975. During her years as an art student and teacher, Rosenthal supplemented her earnings as an assembly-line-painting artist; as a photojournalist stringer for The Village Voice, The East Village Eye, and The New York Post; and as a go-go dancer at clubs including the famed Metropole Cafe and Club Mardi Gras in Times Square, New York City. From 1972-4, she taught printmaking and was director, set designer and lighting technician for several performances at the Lakeside School, a private high school in Seattle, Washington. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Barbara Rosenthal」の詳細全文を読む スポンサード リンク
|